The Love of God

In the ministry of our Pastor today (see previous post) he gives an account of some words found on the cell wall of an asylum.  The words found were these:

Could we with ink the ocean fill,
And were the skies of parchment made,
Were every stalk on earth a quill,
And every man a scribe by trade,
To write the love of God above,
Would drain the ocean dry.
Nor could the scroll contain the whole,
Though stretched from sky to sky.

You say, well the person that wrote that wasn’t mad – and if he or she was, then we need that kind of madness don’t’ we, to explore the love of God.

A quick search via google came up with the following hymn found on Cyber Hymnal (link below).

The love of God is greater far
Than tongue or pen can ever tell;
It goes beyond the highest star,
And reaches to the lowest hell;
The guilty pair, bowed down with care,
God gave His Son to win;
His erring child He reconciled,
And pardoned from his sin.

Refrain

O love of God, how rich and pure!
How measureless and strong!
It shall forevermore endure
The saints’ and angels’ song.

When years of time shall pass away,
And earthly thrones and kingdoms fall,
When men, who here refuse to pray,
On rocks and hills and mountains call,
God’s love so sure, shall still endure,
All measureless and strong;
Redeeming grace to Adam’s race—
The saints’ and angels’ song.

Refrain

Could we with ink the ocean fill,
And were the skies of parchment made,
Were every stalk on earth a quill,
And every man a scribe by trade,
To write the love of God above,
Would drain the ocean dry.
Nor could the scroll contain the whole,
Though stretched from sky to sky.

Refrain

Could we with ink the ocean fill,
And were the skies of parchment made,
Were every stalk on earth a quill,
And every man a scribe by trade,
To write the love of God above,
Would drain the ocean dry.
Nor could the scroll contain the whole,
Though stretched from sky to sky.

Words:  Fred­er­ick M. Leh­man; (1868-1953) he wrote this song in 1917 in Pas­a­de­na, Cal­i­fornia, and it was pub­lished in Songs That Are Dif­fer­ent, Vol­ume 2, 1919. The lyr­ics are based on the Jew­ish poem Had­da­mut, writ­ten in Ara­ma­ic in 1050 by Meir Ben Isaac Ne­hor­ai, a can­tor in Worms, Ger­ma­ny; they have been trans­lat­ed in­to at least 18 lang­uages.

One day, dur­ing short in­ter­vals of in­at­ten­tion to our work, we picked up a scrap of pa­per and, seat­ed up­on an emp­ty le­mon box pushed against the wall, with a stub pen­cil, add­ed the (first) two stan­zas and chor­us of the song…Since the lines (3rd stan­za from the Jew­ish po­em) had been found pencilled on the wall of a pa­tient’s room in an in­sane asy­lum af­ter he had been car­ried to his grave, the gen­er­al opin­ion was that this in­mate had writ­ten the epic in mo­ments of san­ity.

Frederick M. Lehman, “History of the Song, The Love of God,” 1948

Music: Fred­er­ick Leh­man; ar­ranged by his daugh­ter, Clau­dia L. Mays.

Source: Cyber Hymnal

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